This is natural and logical: in my prior career, I worked 20+ years as a corporate marketer,
activating the"hidden dramas" of supermarket brands. I also try to be amusing, if possible.
Installation (2023)
inflatables, nylons, fabric, retail grids, binder clips. 80x80x80
My temporary studio space at Elizabeth Foundation for the Arts inspires me. We "cover" ourselves in clumsy ways.
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Green Nylon Forest (2022)
nylons, dolls, fabric, toy furniture, acrylic desk divider
30x50x20
Tabletop model for Room-Size Installation (see above)
Green Nylon Forest (2022)
Model for Room-Size Installation
Barbie Head in Nylons (2020)
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Wretched Sister Attacks Mother's Nurse (Redux, 2017, 2022)
Like a Traffic Accident (2023)
digital printing on archival canvas 16x16,
Tribute to Professor Colin Chase (1961-2022), who described my work using this phrase.
Self-Portrait on the Subway (2020)
Narrative video of nylon-covered life-size inflatables who communicate with a worker on the scaffolding outside the window.
My art takes a slanted view of contemporary life.
Wretched Sister Attacks Mother's Nurse (REDUX), 2017, 2022)
Green Nylon Forest Installation Video:
Only in New York
My art takes a slanted view of contemporary life.
This is natural and logical: in my prior career, I worked 20+ years as a corporate marketer,
activating the"hidden dramas" of supermarket brands. I also try to be amusing, if possible.