2022 (Redux)

2022 (Redux)

2017-Adopted

2022 (Redux)

 ​​​​​​AndreaBassDigital.com

2017-Wretched Sister Alone

The early 2020 arrival of the pandemic pushed me down into art-malaise. ​Extraordinarily, like a story arc, the emergence of Daylight Savings Time (March 2022) generated a burst of new energy: a desire to revisit and intensify earlier work, a “redux.” 

2019-Wretched Sister Walks the Dog   

2017-You Lie

2022 (Redux)

...

2023 (Redux)

2022 (Redux)

2018-Gloria and Barbie Seance

2018-Barbie and Gloria talk things over.

2017-Wretched Sister Attacks Mother's Nurse

I began reworking earlier themes and canvases : feminism, violence, marginalization, coincidences, and tabloid headlines. Everything became more startling, more intense, and more pervasive, propelled by the rapid advancement of social, asocial, and anti-social media.

I rented new, temporary studio space at NY School for the Arts (with fantastic bright Eastern light) and began reworking earlier themes and canvases with a teacher/mentor Davide Cantoni: feminism, violence, marginalization, coincidences, and tabloid headlines. Everything became more startling, more intense, and more pervasive, propelled by the rapid advancement of social, asocial, and anti-social media. I used some materials for the first time to create 3-D effects: glitter, sequins, metallic push-pins. 

​In 2023, I continued reduxing at The Elizabeth Foundation for the Arts.

 2022 (Redux)